I finally bought a sound synthesizer during the fall of 1984 and started exploring
sound vibrations, my sole intent was to compose
music in a continuous flow without changing it
1984 I was ending a fourteen-year period spent traveling
with a movie camera.
I wanted to create a unity of time and space,
to obey no other law than my own creativity, and
accept no other guidance than the resonance these
sounds triggered in my bodya wholly intuitive
I had absolutely no idea where this would lead
me, but knew I could not escape the urgent fire
compelling me to unveil the still shadowy material
I also knew that my vehicle was to be sound, as
I have had a special vibrational sensitivity since
an early age.
During the editing of my last films, my attention
had been drawn to sound and I had been sensitized
to its strange power over the human psyche.
Sound and tones are far more powerful than we have
imagined in our Western culture!
exploring the outer world with my eyes and camera,
I began to listen inwardly and experienced quite
a sudden change of direction.
The next fourteen years were spent traveling my
inner world of sound vectors.
With a synthesizer it was
easy to produce frequencies beyond the usual span
experienced when using classical music instruments.
Ultra low sounds and ultra high ones were available
at will; I could even produce ultra or infra sounds
and cross invisible borders.
It did not take long to realize that this was somehow
comparable to being exposed to very high altitudes
or being launched into outer space.
I became the cosmonaut
of my inner spaces and the speleologist of my underworlds.
Being exposed to unknown
vibrations helped me discover other dimensions,
other feelings, other realms.
This revealed new directions and psychic rooms I
had never entered before.
My body had to adapt instantly to new frequencies
which sometimes vibrated so powerfully in parts
of my body that, in the twinkle
of an eye, I needed to correct course, release tension,
and adjust to these high energy fields.
None but my soul could guide me in this quest for
means of sound frequencies I began to create a new
body capable of sustaining high energy fields.
I had to strengthen my nervous system in order to
unify body, mind, heart, and soul.
I had to keep still and open while remaining focused,
coherent, and flowing.
I had to listen to the unknown music that was pouring
straight from the Source, without trying to make
it fit an already recognized category.
I had to trust myself
A "no-doubt" attitude had to replace the
The global was to supplant the sequential and it
was telling quite another story.
When I succeeded
in these attempts, the grace I experienced was so
rewarding that it gave me the courage to endure
the dark periods of resistance, insecurity, scarcity,
and loneliness that would follow each successful
entry into the garden of Eden.
Paradise was neither to be found nor lostit
was there all the time, provided that I resisted
the temptation to hold onto and appropriate one
color, sound, or experience to the detriment of
Paradise was no other than my own self when I
was in true and full contact with it, letting energy
flow through my body, expressing creativity itself.
It was attainable when I was free of judgment
and concern, free of separation and fear, when I
was filled with gratitude for the unexpected. It
bathed me in an incommensurable loving energy that
The physical sensation
radiated in strong warm waves from my head and all
along my spine, accompanied by a special iron taste
in the mouth and fresh feeling slightly wet hands.
My own self was no other than the Self, the "I
Am" experiencing expanded consciousness, unlimited
awareness; it was unified, one with the flow of
knowing, of loving, of feeling, and of experiencing.
I was no longer my narrow geographical identity
but my real one, made of all identities, of all
countries, of all times, races, spheres of being,
of all kingdoms, of all music.
My true self was multidimensional.
This I experienced
in my music studio under no other influence than
sounds emerging from the play of my hands on a keyboard.
a meaningful universe and needed no external confirmation.
It was as though, gradually unfolding under my
hands, the totality of the music was already present
in the first tones and would inevitably obey an
underlying matrix, a kind of supreme mathematics
that followed principles with no contradiction.
It was the unfolding of an implicit matrix
in a holographic experience in which each point
contains the whole in a "holosonic"
My bodymind consciousness was experiencing
a unified energy field; my cells were dancing
with the music at their own proper biorhythms.
Who was originating this cosmic dancemy
heart, my cells, my soul, my hands, or some other
It was all a manifestation of the One.
Some sounds carried me into unknown territories,
throbbing with life, with entangling shapes that
sometimes appeared in the form of "beings"
whose very identity was sound. Sometimes they
appeared as multidimensionally rotating spheres
or as strange architecture cast from life itself.
On the contrary, tonalities from already existing
musical instruments which I could sample on my
synthesizer, such as violins or flutes, made me
feel imprisoned in a field of resonance containing
not only my own memories but those of the people
and cultures which had nurtured them.
A climax was reached when, through a kind of "looping
circuit," a highly coherent, resonant field
was established that seemed to suspend the ordinary
laws of physics and give birth to unknown ones.
When this occurred, my synthesizer programs would
transform by themselves, without my permission
or conscious activation.
For instance, the treble zone on the keyboard
might suddenly switch into the base zone; or I
would witness the progressive transformation of
a sound resonating, at first, like a purely mechanical
one, into one that sounded more like a human voice.
Sometimes very high pitched tones would spring
from my synthesizers without any physical activation.
These frequencies appeared as by-products of
highly coherent states of consciousness.
Then, I would experience the utmost joy and feel
pure gratitude towards the mystery that was allowing
it, encountering the most delightful emotions
I had ever had.
To me, this meant the whole of creation was alive
and participating in an orchestration from my
cells, nerves, and the flow of electrons in my
body to those of the electronic circuitry inside
Consciousness was, no doubt, the true and ultimate
component in this chain of life.
Was I playing music or being played by it?
Learning to keep cool after such experiences was
not an easy task. In order to mix the different
tracks I had been playing into a coherent energetic
field, I needed to switch to a more analytical
focus, one more convenient for sound engineering.
In a word, I had to simultaneously be the sound
itself, the composer, the interpreter, the audience,
the sound engineer, and the conductor.
when I listened to this newly created music, I
felt intensely cold in my whole bodysometimes
so cold that I had to take long hot baths to recover
The comparison with high altitudes or outer space
is accurate: its generally freezing cold
When I started exploring these fields in the early
80s, I felt isolated, unaware this would,
later, be studied under the labels of "consciousness
and anomalous physical phenomena" or "consciousness
field effects" or "the quantum mechanics
The second part of my experience was to prove
no less surprising than the first. It began as
soon as other people listened to what I would
later call "multidimensional music."
list of phenomena then occurred, giving evidence
of "consciousness field effects."
The most spectacular one was when I realized this
process had opened clairaudience in me.
It happened one afternoon when, listening in the
company of two persons, to my utter astonishment,
I was hearing a different music! I could not in
the least identify the music I had composed and
which I knew by heart!
I was, instead, listening to an unbearable cacophony
made of distorted sounds more resembling mattress
springs exploding into the air than to any kind
of harmonic musical structure!
I was panic stricken, looking for a plausible,
logical explanation, but the only explanation
was that I was witnessing the distorted resonance
my music occasioned in these people.
The musical tones were dissonantly resonating
and reverberating in the individuals inner
The effect was striking!
What was this inner structure? Was it a physical,
energetic, emotional, psychic, or spiritual one?
It took me several years to precisely identify
Like X-rays, sounds and tonalities from the
music were illuminating invisible inner fields
and, like beams
of coherent light, penetrating the subtle human
I was immensely surprised!
This music was not only transforming me, it seemed
to have deep effects on others too.
During the next seven years, data showing evidence
of the multifarious action of multidimensional
music on the human psyche and soma gradually accumulated.
My best volunteer guinea pig was my husband.
Then friends joined in the experiment.
Then unknown listeners sent me feedback after
a French physicist-teacher of quantum physics
at Poitiers School of Medicine, Professor Regis
Dutheil, dedicated a chapter of his book Superluminal
Medicine to researching the music. click
In 1992 a number of tests
were made on over 200 volunteers.
were taken immediately before and after listening
to Multidimensional music for one to one-and-one-half
hours in private sessions or workshops.
These tests repeatedly showed a spectacular
increase up to one gram in the hemoglobin level
of the blood samples.
Resonance with the expanded consciousness field
present in the music was inducing physiological,
somatic transformations in blood makeup!
In other words, research showed both a consequent
increase in blood oxygenation during listening
to the music; the increase of red blood cells
was comcomitant to an increase of white blood
cells, mostly neutrophiles.
This suggested a potent cleansing effect which
could be witnessed with the naked eye; it was
considerably lighter red after listening than
In the most dramatic cases it would show a champagne-like
quality, formally testifying to the inner exercising
cells had been performing.
In one instance, after a workshop which a seropositive,
HIV-infected participant had been part of, the
general level of lymphocytes of all participants
showed significantly higher levels.
This meant that a high quality "information"
had pervaded the entire group, activating physiological
correlates in accordance to its needs. It also
suggested a group coherence or shared loving energy.
Examination of the data indicates that information
of a highly coherent quality (which could be called
"neg-entropic" or "counter-entropic"
meaning orderlyentropy being the progressive
dis-order experienced in all living systems when
aging) is present in Multidimensional music created
under conditions of expanded awareness, causing
living organisms to transform and re-harmonize
according to a higher order.
This information is of a bio-energetic, bio-sonic
coherent, self-conscious quality.
Multidimensional music could be considered
a "high quality food" for cells craving
a higher level of consciousness, health, love,
coherence, and freedom, as the following story
I had a volunteer patient with a severe somatic
condition. She had an artificial kidney and very
low hemoglobin levels among other symptoms.
She listened to Multidimensional music with me,
for one-and-one-half hours, in a deep state of
During the session I could hear severe distortions
in the frequency range of her resonance with the
To my astonishment I witnessed the eradication
of the tape to which she had been listening in
the form of a continuous hatching.
The only sense I could make of it was that she
had "eaten" the holosonic frequencies
her organism needed in order to heal, energize,
and balance. The "eating" had no doubt
been magnetic or electromagnetic in quality !
I dedicated a seven-year period to understanding
the range of effects caused by resonance with
Multidimensional music and to establishing the
principles underlying them.
My evidence shows that the music causes a resonance
in the dimension of the body and psyche that best
fits the deep, personal need of the individual,
conforming to some accurate circuitry.
It also activates the acupuncture meridians
and the chakra system through consciously felt
sensations of pressure or opening.
It is as if the psyche activates these systems
by delivering freshly-released information which
was formerly repressed beneath the threshold of
Apparitions of bright colors and a number of other
manifestations commonly accompany the experience.
The conclusion is that Multidimensional music
induces a global process of transformation, through
resonance, in both body and psyche.
Sound is an ideal carrier of quantum information
operating in a non-local way.
It is also a self-educating trigger for consciousness,
enhancing creativity, self-sufficiency, self-transformation,
Out of these years of self-exploration, self-transformation,
and internal listening, I touched a unified field
of consciousnessall-pervasive, healing,
creative, self-loving, enlightening.
Whenever I want to touch it, I just have to listen
inside and let the music dance.
Chollet is a very self-directed, creative Frenchwoman,
fascinated by borders, both foreign and interior.
She has traveled extensively, been a reporting
photographer, a documentary filmmaker, a wife
and mother, and now a transformational healer
through the medium of music. She is at work on
a book on Multidimensional Music.