I finally bought a sound synthesizer
during the fall of 1984 and started exploring
sound vibrations, my sole intent was to
compose music in a continuous flow without
changing it afterwards.
I wanted to create a unity of time and space,
to obey no other law than my own creativity,
and accept no other guidance than the resonance
these sounds triggered in my bodya
wholly intuitive process.
I had absolutely no idea where this would
lead me, but knew I could not escape the
urgent fire compelling me to unveil the
still shadowy material inside.
I also knew that my vehicle was to be sound,
as I have had a special vibrational sensitivity
since an early age.
1984 I was ending a fourteen-year period
spent traveling with a movie camera.
During the editing of my last films, my
attention had been drawn to sound and I
had been sensitized to its strange power
over the human psyche.
Sound and tones are far more powerful than
we have imagined in our Western culture!
exploring the outer world with my eyes and
camera, I began to listen inwardly and experienced
quite a sudden change of direction.
next fourteen years were spent traveling
my inner world of sound vectors.
With a synthesizer
it was easy to produce frequencies beyond
the usual span experienced when using classical
Ultra low sounds and ultra high ones were
available at will; I could even produce
ultra or infra sounds and cross invisible
It did not take long to realize that this
was somehow comparable to being exposed
to very high altitudes or being launched
into outer space.
became the cosmonaut of my inner spaces
and the speleologist of my underworlds.
exposed to unknown vibrations helped me
discover other dimensions, other feelings,
This revealed new directions and psychic
rooms I had never entered before.
My body had to adapt instantly to new frequencies
which sometimes vibrated so powerfully in
parts of my body that, in the twinkle
of an eye, I needed to correct course, release
tension, and adjust to these high energy
None but my soul could guide me in this
quest for inner meaning.
means of sound frequencies I began to create
a new body capable of sustaining high energy
I had to strengthen my nervous system in
order to unify body, mind, heart, and soul.
I had to keep still and open while remaining
focused, coherent, and flowing.
I had to listen to the unknown music that
was pouring straight from the Source, without
trying to make it fit an already recognized
I had to trust myself totally.
A "no-doubt" attitude had to replace
the "multiple-questioning" one.
The global was to supplant the sequential
and it was telling quite another story.
succeeded in these attempts, the grace I
experienced was so rewarding that it gave
me the courage to endure the dark periods
of resistance, insecurity, scarcity, and
loneliness that would follow each successful
entry into the garden of Eden.
Paradise was neither to be found nor lostit
was there all the time, provided that I
resisted the temptation to hold onto and
appropriate one color, sound, or experience
to the detriment of others.
was no other than my own self when I was
in true and full contact with it, letting
energy flow through my body, expressing
attainable when I was free of judgment and
concern, free of separation and fear, when
I was filled with gratitude for the unexpected.
It bathed me in an incommensurable loving
energy that transformed me.
physical sensation radiated in strong warm
waves from my head and all along my spine,
accompanied by a special iron taste in the
mouth and fresh feeling slightly wet hands.
My own self was no other than the Self,
the "I Am" experiencing expanded
consciousness, unlimited awareness; it was
unified, one with the flow of knowing, of
loving, of feeling, and of experiencing.
I was no longer my narrow geographical identity
but my real one, made of all identities,
of all countries, of all times, races, spheres
of being, of all kingdoms, of all music.
My true self was multidimensional.
This I experienced
in my music studio under no other influence
than sounds emerging from the play of my
hands on a keyboard.
encountered a meaningful universe and needed
no external confirmation.
It was as though, gradually unfolding under
my hands, the totality of the music was
already present in the first tones and would
inevitably obey an underlying matrix, a
kind of supreme mathematics that followed
principles with no contradiction.
was the unfolding of an implicit matrix
in a holographic experience in which each
point contains the whole in a "holosonic"
My bodymind consciousness was experiencing
a unified energy field; my cells were dancing
with the music at their own proper biorhythms.
Who was originating this cosmic dancemy
heart, my cells, my soul, my hands, or some
It was all a manifestation of the One.
carried me into unknown territories, throbbing
with life, with entangling shapes that sometimes
appeared in the form of "beings"
whose very identity was sound. Sometimes
they appeared as multidimensionally rotating
spheres or as strange architecture cast
from life itself.
On the contrary, tonalities from already
existing musical instruments which I could
sample on my synthesizer, such as violins
or flutes, made me feel imprisoned in a
field of resonance containing not only my
own memories but those of the people and
cultures which had nurtured them.
climax was reached when, through a kind
of "looping circuit," a highly
coherent, resonant field was established
that seemed to suspend the ordinary laws
of physics and give birth to unknown ones.
When this occurred, my synthesizer programs
would transform by themselves, without my
permission or conscious activation.
For instance, the
treble zone on the keyboard might suddenly
switch into the base zone; or I would witness
the progressive transformation of a sound
resonating, at first, like a purely mechanical
one, into one that sounded more like a human
voice. Sometimes very high pitched tones
would spring from my synthesizers without
any physical activation.
frequencies appeared as by-products of highly
coherent states of consciousness.
Then, I would
experience the utmost joy and feel pure
gratitude towards the mystery that was allowing
it, encountering the most delightful emotions
I had ever had.
this meant the whole of creation was alive
and participating in an orchestration from
my cells, nerves, and the flow of electrons
in my body to those of the electronic circuitry
inside my synthesizers.
Consciousness was, no doubt, the true and
ultimate component in this chain of life.
Was I playing music or being played by
to keep cool after such experiences was
not an easy task. In order to mix the different
tracks I had been playing into a coherent
energetic field, I needed to switch to a
more analytical focus, one more convenient
for sound engineering.
In a word, I had to simultaneously be the
sound itself, the composer, the interpreter,
the audience, the sound engineer, and the
when I listened to this newly created music,
I felt intensely cold in my whole bodysometimes
so cold that I had to take long hot baths
to recover some warmth.
The comparison with high altitudes or outer
space is accurate: its generally freezing
cold up there!
When I started exploring these fields in
the early 80s, I felt isolated, unaware
this would, later, be studied under the
labels of "consciousness and anomalous
physical phenomena" or "consciousness
field effects" or "the quantum
mechanics of consciousness."
The second part of my experience was to
prove no less surprising than the first.
It began as soon as other people listened
to what I would later call "multidimensional
whole list of phenomena then occurred, giving
evidence of "consciousness field effects."
The most spectacular one was when I realized
this process had opened clairaudience in
It happened one afternoon
when, listening in the company of two persons,
to my utter astonishment, I was hearing
a different music! I could not in the least
identify the music I had composed and which
I knew by heart!
I was, instead, listening to an unbearable
cacophony made of distorted sounds more
resembling mattress springs exploding into
the air than to any kind of harmonic musical
I was panic stricken, looking for a plausible,
logical explanation, but the only explanation
was that I was witnessing the distorted
resonance my music occasioned in these people.
The musical tones were dissonantly resonating
and reverberating in the individuals
The effect was striking!
What was this inner structure? Was it a
physical, energetic, emotional, psychic,
or spiritual one?
It took me several years to precisely identify
X-rays, sounds and tonalities from the music
were illuminating invisible inner fields
and, like beams
of coherent light, penetrating the subtle
I was immensely surprised!
This music was not only transforming me,
it seemed to have deep effects on others
the next seven years, data showing evidence
of the multifarious action of multidimensional
music on the human psyche and soma gradually
volunteer guinea pig was my husband.
Then friends joined in the experiment.
Then unknown listeners sent me feedback
after a French physicist-teacher of quantum
physics at Poitiers School of Medicine,
dedicated a chapter
of his book Superluminal Medicine to researching
the music. click
1992 a number of tests were made on over
samples were taken immediately before and
after listening to Multidimensional music
for one to one-and-one-half hours in private
sessions or workshops.
tests repeatedly showed a spectacular increase
up to one gram in the hemoglobin level of
the blood samples.
Resonance with the expanded consciousness
field present in the music was inducing
physiological, somatic transformations in
words, research showed both a consequent
increase in blood oxygenation during listening
to the music; the increase of red blood
cells was comcomitant to an increase of
white blood cells, mostly neutrophiles.
This suggested a potent cleansing effect
which could be witnessed with the naked
eye; it was considerably lighter red after
listening than before.
In the most dramatic cases it would show
a champagne-like quality, formally testifying
to the inner exercising cells had been performing.
In one instance, after a workshop which
a seropositive, HIV-infected participant
had been part of, the general level of lymphocytes
of all participants showed significantly
This meant that a high quality "information"
had pervaded the entire group, activating
physiological correlates in accordance to
its needs. It also suggested a group coherence
or shared loving energy.
of the data indicates that information of
a highly coherent quality (which could be
called "neg-entropic" or "counter-entropic"
meaning orderlyentropy being the progressive
dis-order experienced in all living systems
when aging) is present in Multidimensional
music created under conditions of expanded
awareness, causing living organisms to transform
and re-harmonize according to a higher order.
This information is of a bio-energetic,
bio-sonic coherent, self-conscious quality.
Multidimensional music could be considered
a "high quality food" for cells
craving a higher level of consciousness,
health, love, coherence, and freedom, as
the following story gives evidence.
I had a volunteer
patient with a severe somatic condition.
She had an artificial kidney and very low
hemoglobin levels among other symptoms.
She listened to Multidimensional music with
me, for one-and-one-half hours, in a deep
state of relaxation.
During the session I could hear severe distortions
in the frequency range of her resonance
with the music.
To my astonishment I witnessed the eradication
of the tape to which she had been listening
in the form of a continuous hatching.
only sense I could make of it was that she
had "eaten" the holosonic frequencies
her organism needed in order to heal, energize,
and balance. The "eating" had
no doubt been magnetic or electromagnetic
in quality !
summarize, I dedicated a seven-year period
to understanding the range of effects caused
by resonance with Multidimensional music
and to establishing the principles underlying
evidence shows that the music causes a resonance
in the dimension of the body and psyche
that best fits the deep, personal need of
the individual, conforming to some accurate
activates the acupuncture meridians and
the chakra system through consciously felt
sensations of pressure or opening.
It is as if the psyche activates these systems
by delivering freshly-released information
which was formerly repressed beneath the
threshold of consciousness.
Apparitions of bright colors and a number
of other manifestations commonly accompany
conclusion is that Multidimensional music
induces a global process of transformation,
through resonance, in both body and psyche.
Sound is an ideal carrier of quantum information
operating in a non-local way.
It is also a self-educating trigger for
consciousness, enhancing creativity, self-sufficiency,
self-transformation, and self-healing.
Out of these
years of self-exploration, self-transformation,
and internal listening, I touched a unified
field of consciousnessall-pervasive,
healing, creative, self-loving, enlightening.
Whenever I want to touch it, I just have
to listen inside and let the music dance.
Chollet is a very self-directed, creative
Frenchwoman, fascinated by borders, both
foreign and interior. She has traveled extensively,
been a reporting photographer, a documentary
filmmaker, a wife and mother, and now a
transformational healer through the medium
of music. She is at work on a book on Multidimensional